Promkhuntong, W. (2024). Thai creative labour solidarity, (post)-pandemic precarity, and directions of production studies in the Global South. International Journal of Cultural Studies, 0(0). https://doi.org/10.1177/13678779241273457

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Promkhuntong, W. (2022). 'Runaway' foreign film productions from a global South perspective: film workers’ memories and site-specific traces from Thailand. Transnational Screens, 13 (3), pp. 218–233. https://doi.org/10.1080/25785273.2022.2144929 

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Techawongstien, K. (2021). The Narrative Construction of the Others in a Translation of Little House. Journal of Human Sciences, 22(3), 122–142. https://so03.tci-thaijo.org/index.php/JHUMANS/article/view/250538

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Promkhuntong, W. (2021) Fan pilgrimage and Thai genre films: play, space and the search for vernacular cultural sites. Journal of Culture, Theory and Critique. Playces: Special Issue on Spaces of Play, 62(1), 249-265. https://doi.org/10.1080/14735784.2021.1991823

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Promkhuntong, W. (2019) Pilgrimage to a Memory Hole: Towards an Affective Study of Fan Tourism in Asia via Angkor Wat and Wong Kar-wai’s In the Mood for Love. Plaridel: A Philippine Journal of Communication, Media, and Society, 16:2. 

http://www.plarideljournal.org/article/pilgrimage-to-a-memory-hole-towards-an-affective-study-of-fan-tourism-in-asia-via-angkor-wat-and-wong-kar-wais-in-the-mood-for-love/

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Promkhuntong, W. (2016) In Search of the Memory Hole: Cinephile/Fan Tourism at Angkor Wat, 9th Biennial Association for Southeast Asian Cinemas Conference, Nottingham University, Malaysia.

Available at: https://www.youtube.com/watch?v=Riw36ldgqa4&t=1645s