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Research Institute for Languages & Cultures of Asia, Mahidol University
Aesthetics & Sociology of Culture
Research Clustere
PUBLICATIONS AND RESOURCES
MEMBERS RESEARCH OUTPUT
Promkhuntong, W. (2024). Thai creative labour solidarity, (post)-pandemic precarity, and directions of production studies in the Global South. International Journal of Cultural Studies, 0(0). https://doi.org/10.1177/13678779241273457
Promkhuntong, W. (2022). 'Runaway' foreign film productions from a global South perspective: film workers’ memories and site-specific traces from Thailand. Transnational Screens, 13 (3), pp. 218–233. https://doi.org/10.1080/25785273.2022.2144929
Techawongstien, K. (2021). The Narrative Construction of the Others in a Translation of Little House. Journal of Human Sciences, 22(3), 122–142. https://so03.tci-thaijo.org/index.php/JHUMANS/article/view/250538
Promkhuntong, W. (2021) Fan pilgrimage and Thai genre films: play, space and the search for vernacular cultural sites. Journal of Culture, Theory and Critique. Playces: Special Issue on Spaces of Play, 62(1), 249-265. https://doi.org/10.1080/14735784.2021.1991823
Promkhuntong, W. (2019) Pilgrimage to a Memory Hole: Towards an Affective Study of Fan Tourism in Asia via Angkor Wat and Wong Kar-wai’s In the Mood for Love. Plaridel: A Philippine Journal of Communication, Media, and Society, 16:2.
Promkhuntong, W. (2016) In Search of the Memory Hole: Cinephile/Fan Tourism at Angkor Wat, 9th Biennial Association for Southeast Asian Cinemas Conference, Nottingham University, Malaysia.
Available at: https://www.youtube.com/watch?v=Riw36ldgqa4&t=1645s
RELATED MA & PHD THESIS
Thailand Research Fund funded projects co-supervised by cluster members
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Socio-Cultural Dimension of Censorship: The Protest against the Image of Buddhist Monk in Thai Films by Buddhist Groups in 2006 – 2016 (Chanon Labhnatipakorn) Co-supervised by Wikanda Promkhuntong and Narong Ardsmiti.
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Locating the Misfits of Tang Chang within the Tradition of Modern Art in Thailand (Nawapooh Sae-Tang) Co-supervised by Wikanda Promkhuntong and Koraya Techawongstien.
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Postcolonial and the Construction of Identity of Melayu-Muslimness in Southern Border Provinces in Thai Contemporary Painting (Jittipong Tasai) Co-supervised by Wikanda Promkhuntong, Narong Ardsmiti and Koraya Techawongstien.
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Analyzing the Narrative of Admiration for the King Bhumibhol Adulyadej: Self-Positioning of Burmese Karen Migrants in Transnational Space. (Siripat Naknam) Supervised by Narong Ardsmiti